https://vimeo.com/bravodesignince

Twitter, Why So Difficult?

Twitter, sometimes awesome; usually not so much, for me at least.

I do like Twitter for the fact that it’s this cool virtual networking event that you can show up to in your underwear and chat with people you might not ever meet in real life. I just find it über difficult to predict which of our tweets will pick up momentum and garner 3,500 clicks and which ones will fly under the radar and only generate three clicks [even if it’s hilarious].

Part of me thinks that our following isn’t being compelled/engaged sufficiently either because I’m not sharing the right content or because I’m just not very interesting, but a little research quells my insecurity from the latter. Sort of.

Guy Kawasaki has 1,360,205 followers on Twitter, and he rarely gets more than a few retweets per update.  The same is true for Brian Clark (aka Copybloger) who has about a tenth of the following and actually posts interesting, original material on copywriting and marketing.

Mindy Kaling, who you might know as Kelly Kapoor from The Office, posted that she woke up with “crunchy hair” this morning and received 123 retweets and 220 favorites.

I’m not sure what that means, but it’s kind of discouraging.

Feeling a little dejected, I sought out counsel on how to step up my Twitter game. And rest assured, there’s no shortage of articles that’ll tell you how to amplify your presence or be more engaging or write better tweets based on semantics and so on and so on. I read a ton of them and compiled a list of actionable advice before coming to the realization that I’d rather crab walk on the highway than publish that article.

The fact is there isn’t a singular “right way” for using Twitter (or any other social media platform for that matter). It really depends on your business and your goals. Just know that the people you want to get in front of are already somewhere online. It’s up to you to figure how you want to connect with them.

For me, that means removing my ego from the equation. This isn’t about me; it’s about the people I’m trying to engage. That means that I need to spend more time interacting with the people in my network and less time pushing content in one direction (i.e., into a wall).

Tony Hsieh, the CEO of Zappos said, “We’ve found that Twitter has been a great way for us to connect on a more personal level with our employees and customers. We use it to help build our brand, not drive direct sales. It’d be like asking how does providing a telephone number for customer service translate into new business when they are mostly non-sales-related calls. In the long term, Twitter helps drive repeat customers and word of mouth, but we’re not looking to it as a way of driving immediate sales.”

How do you use Twitter?

https://vimeo.com/bravodesignince

The Heat and White House Down

The Heat

Sarah Ashburn (Sandra Bullock) is a hotshot FBI agent who’s utterly incapable of relating to other people. Though supremely competent, she’s resented around the office and forced to endure overt condescension. Her boss, Hale (Demian Bichir) thinks that her lack of social skills might stand in the way of a promotion, so he sends her off to Boston to track down a drug kingpin but also see if she can work well with others. It’s there that she meets Boston PD officer Shannon Mullins (Melissa McCarthy), a take-no-prisoners cop who works the streets in a uniquely hostile way that terrifies even her superiors. They couldn’t be more incompatible.

But when they join forces, they become the last thing anyone expected: buddies.

Alonso Duralde of The Wrap writes, “Looking back at Sandra Bullock’s career, it appears that she’s at her best when she’s got a co-star who keeps her on her toes. McCarthy shines here, matching her physical prowess with a genius for verbal comedy, bringing out the Oscar-winner’s best. There probably won’t be a funnier movie this year.”

**One of the Bravo guys, Daniel Arriola, saw The Heat at CinemaCon back in April and calls it a guaranteed success. He doesn’t usually watch comedies but laughed throughout the movie.**

Rating: R // Genre: Action, Adventure, Crime // Runtime: 1 hr. and 57 min. // Starring: Sandra Bullock, Melissa McCarthy, Demián Bichir, Marlon Wayans // Directed by: Paul Feig // Written by: Katie Dippold // Produced by: Twentieth Century Fox Film Corporation, Chernin Entertainment, Dune Entertainment  // Distributed by: Twentieth Century Fox Film Corporation

White House Down

John Cale (Channing Tatum) is an employee of the US Capitol Police assigned to guarding the Speaker of the House. With aspirations of one day becoming a Secret Service agent tasked with protecting the President of the United States, James Sawyer (Jamie Foxx), Cale manages to wrangle an interview at the White House.

Unfortunately for him, the person he has to go through is Carol Finnerty (Maggie Gyllenhaal), a woman scorned. Once upon a time, she and Cale had dated. Unwilling to break the bad news to his daughter Emily (Joey King), Cale takes her on a conveniently timed White House tour. It’s when a group of terrorists led by Emil Stenz (Jason Clarke) commences an assault on the White House, that the Capitol Police officer is called upon to save the day while trying to keep his daughter out of danger.

Kenneth Turan of the Los Angeles Times writes, “White House Down is a hoot and a half, a shameless popcorn entertainment that is preposterous and diverting in just about equal measure. With action so continuous and so convincingly photographed by cinematographer Anna Foerster– it rarely leaves you the leisure for mature reflection.”

Rating: PG-13 // Genre: Action, Drama, Thriller // Runtime: 2 hr. and 11 min. // Starring: Channing Tatum, Jamie Foxx, Maggie Gyllenhaal // Directed by: Roland Emmerich// Written by: James Vanderbilt // Produced by: Mythology Entertainment, Centropolis Entertainment, Iron Horse Entertainment // Distributed by: Columbia Pictures, Sony Pictures Releasing

https://vimeo.com/bravodesignince

How to Manage Your Brand

When we think of branding, we tend to think of it as this modern day phenomenon where companies work to create an emotional connection that resonates between itself and its products with customers. But the fact of the matter is that branding has existed for nearly as long as people have sold goods to one another. In preparation of writing this article, I did some light reading on the history of branding to better provide context and yeah, it’s all over the place.

One source attributed ancient Babylon as a frontrunner. Because the general public by and large was illiterate, barkers were used to attract buyers by “exhorting” passing crowds (i.e., pitching spices, wines and other goods). I took “exhorting” as a euphemism for barking. Another cited ancient Greece and Rome where merchants would hang pictorial signs and paint their storefronts. Another credited Pompeii where advertisements were written on walls. I’d previously read and wrote that stelais, made of basalt, were used in Egypt.

Here in the states, its roots go back to the late 19th century when a massive shift in product offerings and purchasing occurred with the advent of railways and the expansion of the postal service. For the first time, consumers had access to a wider selection of goods from outside their local economy. What quickly became evident was that new and unknown goods had a difficult time competing with proven local products. Because of that, manufacturers needed to convince the public that their products were just as trustworthy, if not more so, which led them to develop the concept of the unique selling position.

What happened after World War II, was that as consumer choice continued to proliferate, product quality only increased incrementally leading to this sort of standardization between similar goods that rendered them nearly indistinguishable from one another. As product differences continued to erode, companies shifted their focus from functional parity to building emotional associations. This sparked a creative revolution in advertising that became synonymous with branding. In doing so, a brand perceived as being superior would be able to charge a premium and price itself above its competitors.

So how do you apply this to your business?

With or without your input, either your customers or your competitors will position your product.

Product positioning is the process where marketers determine how to showcase a product in its best possible light while simultaneously communicating its unique attributes. If I were to ask you what you thought of Lexus automobiles, you might associate it with luxury or elegance. If I were to mention Honda, you might think efficient or affordable.

You might actually be thinking of vivid negative attributes when it comes to either make, but you get where I’m going. The fact remains that people don’t simply buy exclusively based on efficiency or affordability. We’d all be driving Smart Cars or Nissan Versas if that were the case, but we don’t. Why? Because preference aside, consumers factor in value: perceived or otherwise.

Successful product positioning requires a clear understanding of your customer and their needs, so that the right messaging can be created and delivered through the right touchpoints. To do so, you need to identify a specific target. It’s not enough to say, “men over 25.”  It would be single men between the ages of 25 to 30, with college degrees, who work in X industry and make Y dollars each year. The more specific, the better. Once you’ve segmented that target, you need to do three things:

(1) You need to create a message that differentiates your product from your competitors’ (2) that addresses your customers’ buying criteria (3) and articulates key product attributes.

Just to kind of go full circle and recap, purchase decisions take both time and energy, something that are always in short supply. Your branding should alleviate both and work to differentiate not just between the good and the bad but the better and the best.

Your brand’s reputation is its lifeblood.

Niall Fitzgerald once said, “You can have all the facts and figures, all the supporting evidence, all the endorsements that you want, but if at the end of the day you don’t command trust, you won’t get anywhere.”

Think about it in terms of your normal day to day. You trust that when you stop and proceed through a four-way-stop that the next driver will yield to you. You trust that when you buy meat or produce at the grocery store it won’t make you sick upon consumption. If that were an actual concern, wouldn’t you shop elsewhere?

Back in 2009, Concerto Marketing and Research Now conducted a study on the benefits and drivers of trust. They found that when people trust a brand, 83% will recommend it to other people. 78% will look to it first for things they want, and that 50% of respondents said they would pay more for it.

But as it turns out, brands really struggle to deliver on the promises they make due to glaring inconsistencies, empty claims, misbehavior and so on. Burberry boasts that its luxury apparel is “Made in Britain.” There are two factories there. The rest of the operation has been shipped to China. McDonalds is an Olympics sponsor. It also represents a leading contributor to obesity and poor nutrition. One of Unilever’s most well-known campaigns was Dove’s “Real Beauty” initiative that focused on self esteem and realistic body images for women.  Ironically, it also owns one other brand called Axe, where the recurring theme of body spray commercials is scantily clad, sex-crazed women. Weird.

Remember: not doing anything is better than making a new promise and not delivering on it because a brand can’t survive without trust. If you fail here, you can potentially burn through brand equity extremely quickly.

That means that a brand’s values must be embedded into every action and decision the company takes and not spearheaded or compartmentalized solely to a marketing team. If it is, therein lies a strong possibility that it’s destined to fail. Any actual change should be clear throughout the entire organization and obvious at every touchpoint.

To wrap things up…

When writing this, I naturally thought of Bravo Design, Inc.’s branding and what we’ve done to make good on our promises. One of which is that we’ll always work our asses off for our clients to do things right and turn work around as soon as possible. It doesn’t actually say that in our mission statement verbatim, but it’s implied. If you go through our testimonials or talk to our clients whether that be small business owners or the folks at movie studios, they won’t tell you otherwise.

Another thing we promise to do is deliver information that’ll help you at the end of the day. Whether you have questions about web development, design, branding, whatever that is, someone here at the office will be able to help you if you fill out a contact form or leave us a comment. That’s what this blog is for.

Someone [me] once said, “Hell hath no fury like a consumer scorned.” Your brand is one of your most valuable possessions. Treat it well.

Photo Credit: Printpapa.com

https://vimeo.com/bravodesignince

How NOT to Get Brandjacked on Google+

Sometime last week, a few of us at the studio were wondering how we might procure a vanity URL to replace the 21-digit ID our Google+ profile currently has.

Google+-Vanity URL

The thought process being that if we had something more manageable like plus.google.com/bravodesigninc, it’d be easier to share on assets (e.g., on printed materials like business cards, stationary, etc.) or over the phone.

After some digging, I found that Google rolled out vanity URLs for verified pages in August of last year, but that they weren’t made available to all G+ users. I’m late to yet another party. Initially, Google had indicated that it “should be available to many more of your business pages over time.” Ten months later, that isn’t really the case, even for household brands.

Coca-Cola (989,781 G+ followers) and The Coca-Cola Company (4,774 G+ followers) each have their vanity URLs. Pepsi (703,818 G+ followers) does not.

When searching for PepsiCo, I found this:

+PepsiCo Search

And since people and pages are grouped together in +search, it goes on and on and on.

+PepsiCo Search 2

Six sites, three “official ones.” Seems legit. I’ll get to that momentarily. Using Google, I searched for the Pepsi Company which populated a G+ profile in the site’s metadata/link section.

Google Referral

Here it is:

Recommended G+ PepsiCo Page

Womp, womp. Each of the unofficial “official” pages has more followers.

What threw me for a loop is that when I went back to see if I had set up the Bravo Design, Inc. G+ page correctly, I found that I can create what seems like an unlimited number of Google+ profile pages despite the fact that a verified listing already exists with a vetted phone number that corresponds to our local listing. Not cool, Google. I can only imagine that the ability for random people to create profiles using your brand name at will would be a vulnerability.

Unlike Twitter, which allows parody accounts, Google has a ban on all pseudonyms used on G+ profiles, and they’ll suspend you if they catch you. Tell that to the 300 PepsiCo profiles.

Brandjacking happens when “someone acquires or otherwise assumes the online identity of another entity for the purposes of acquiring that person’s or business’s brand equity.” An example of such would be if I hypothetically pretended to be 50 Cent, borrowed [read: stole] part of his following and used it draw attention to my own personal causes (e.g., distributing my mix tape).

Notably, it has happened to Starbucks, Nestle, Exxon and British Petroleum.

Bank of America was infamously brandjacked on G+ when a satire page was created advertising its “new” slogan: “We took your bailout money, and your mortgage rates are going up.” While obviously a fraud, it stayed online for a week before being pulled. I don’t know how that could have possibly happened. But reputation risks aside, knock off pages could include redirects for phishing purposes or to spread malware.

Bank of America, Brandjacking

We recommend verifying your G+ business page. All you have to do is add a G+ badge or snippet of code to your page, request a PIN if you have a Local page and fill out an application online. It’s pretty painless. This won’t stop someone from setting up G+ pages with your name, and it won’t guarantee you the option to claim a vanity URL in the near future, but it’ll help differentiate your verified page from an imposter if both come up in a search query.

Just for kicks: another site that has a vanity URL is K-Mart. Its competitors, Target and Walmart, do not. In-and-Out, Burger King, McDonald’s and Jack in the Box don’t. Wendy’s does. Wendy’s. There is no justice in this world. Just kidding. Kind of.

To follow us on Google+ and/or come up with ideas to create an imitation Bravo Design, Inc. profile: click here.

https://vimeo.com/bravodesignince

Man of Steel

With his home planet of Krypton in shambles after a coup initiated by the rebellious General Zod (Michael Shannon), Jor-El (Russell Crowe) has no option but to send his son to Earth. It’s there that the infant child is taken in by the Kents (Kevin Costner and Diane Lane). As he grows into a young man, Clark (Henry Cavill), quickly realizes that he’s different than his human peers but must decide what to with the enormous responsibility associated with his extraordinary powers.

When General Zod arrives on Earth seeking to destroy the super being, his home and anyone that gets in his way, Clark is forced to come to terms with his past.

Dave Calhoun of Time Out writes, “Man of Steel feels both modern and traditional – a halfway house between the broodier Christopher Nolan [writer and producer] way of shaking things up and the louder, bone-crunching style that director Zack Snyder established with films such as 300 and Sucker Punch. Man of Steel is punchy, engaging and fun.”

Warner Bros. pictures group president Jeff Robinov predicts that Man of Steel will be the studio’s highest performer ever topping Harry Potter and the Deathly Hallows: Part 2 at $1.34B. Based on current tracking, Man of Steel is expected to open somewhere between $85M – $100M.

If you haven’t seen the Man of Steel website, there are bonus videos, galleries, a glyph generator and a couple seriously addicting Flash games. Check it out.

Rating: PG-13 // Genre: Action, Adventure, Fantasy // Runtime: 2 hr. and 23 min. // Starring: Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, Diane Lane, Laurence Fishburne, Russell Crowe // Directed by: Zack Snyder // Written by: David S. Goyer, Christopher Nolan // Created by: Jerry Siegel & Joe Shuster // Produced by: Warner Bros., Legendary Pictures, Syncopy, DC Entertainment, Third Act Productions // Distributed by: Warner Bros.

https://vimeo.com/bravodesignince

Simple Tips for Writing Headlines That Attract Readers

Crafting high quality headlines that resonate with readers is one of the most deceptively difficult components of writing for several different reasons.

For starters, headlines need to draw attention to your topic and attract the right readers. We could write “Justin Bieber has nervous breakdown on stage” on the Bravo Design, Inc. blog and receive 10,000 hits, but it wouldn’t really help our business. Unless, we missed this huge market that loves both the Beebs and graphic design, but I’m pretty sure I already looked into that. Second, they need to relay context. And third, headlines should assure prospective readers that the time and energy they invest will yield a positive return. All of this is made harder by the fact that all three boxes should be checked in around 10 words.

So with no further ado, here are tips on improving your headlines.

The Mosquito Bite

One method to use is intrigue. By enticing readers to discover more, you provide compelling reasons for them to click on an article then move from the headline to the next line to the next.

“The Information Gap Theory,” was made famous by George Loewenstein, a leader in the field of behavioral economics and professor at Carnegie-Mellon. According to Loewenstein, curiosity is brought about when we feel a gap “between what we know and what we want to know.” Jonah Lehrer of Wired Magazine succinctly summarizes this by writing, “This gap has emotional consequences: it feels like a mental itch, a mosquito bite on the brain. We seek out new knowledge because that’s how we scratch the itch.”

Just remember: if you give up all the pertinent information in the headline, people won’t feel the need to read more so focus on the itch first and the scratch second.

What to Post

e.g., “You have a problem; we want to help you. Here are X, Y and Z solutions.”

People want useful information, especially when it provides solutions to problems or offers tips that improve their lives making them easier and/or better. Lists and how to articles foot the bill here along with pieces that answer the five W’s (who, what, why, when and where) These types of posts are perfect for building your authority and demonstrating your area of expertise which is critical for business blogging.

Incorporating Keywords

Should you utilize keywords in headlines? Yes, absolutely. We probably wouldn’t use the title, “How to find a graphic designer, graphic design studio, graphic design agency Los Angeles,” but who knows? I like a shameless promo plug every now and then. No, I’m kidding.

Write for an audience in their terms using your keyword research. These terms can be related to anything from problems to solutions to brand names to service offerings. It’s a win-win because you’re able to engage readers and attract search based traffic.

What NOT to do + Other Headline Landmines

I’ve said it numerous times in the past, but your products and services won’t appeal to everyone. Bummer, I know. But what’s worse is watering content down for mass appeal. I’ve made this mistake and really encourage you not to do the same.

Other things to avoid are overselling, fear mongering, trickery, desperation, hubris (desperation’s distant cousin) and the obvious ad. All of which are likely to scare prospects away before they go from browser to reader.

Practice Writing Headlines

With print media you don’t get to try multiple headlines for national audiences. You pick one, the material gets shipped, and you hope for the best. But with social media platforms like Twitter and Facebook, you can test different headlines to see which garners more attention, and it’s very much measurable.

Just keep in mind that with practice, you can only get better (even if all signs point to the contrary), especially if you’re providing useful information with real problem.

https://vimeo.com/bravodesignince

Massive: The Advertising Summit 2013

This week, Variety hosted Massive at the Roosevelt Hotel in Hollywood, a one-day summit dedicated to the convergence between advertising, content partners, digital media brands and next-generation technologies.

This was the first year I was able to make it out to the conference. And of the workshops presented, I thought that these three might have been the most timely given the changes we’ve seen across a quickly shifting media landscape.

The first was “Understanding Millennials for Ultimate Brand Success” by Melissa Lavigne-Delville, VP of Strategic Insights & Culture Editor at NBCUniversal and author of The Curve.

In it, she says: Millennials are unlike any other demographics. They consume media differently than those who preceded them. They’re influenced differently. They have different measures for success. They’re prone to moving back home as young adults and take longer to reach adulthood overall, and there are almost as many of them (born between ’76 and ’95) as there are baby boomers.

Because of that, advertisers and marketers have had to switch gears to reach out and engage not only them but also the ever changing modern family. According to the census, only 4% of American families today consists of a married couple where the wife stays home, the husband works, and their biological children are under 18. Another massive shift from the traditional family paradigm is that a whopping 41% babies are born to single moms.

So as family life changes so must entrepreneurs, advertisers and marketers.

The second workshop was “A Conversation with Google” presented by Jennifer Prince, Head of Industry, Media and Entertainment at Google, and moderated by Gordon Paddison of Stradella Road. In it, Prince reported that organic search queries on Google can reveal box office performance about one month before a release date with about 92%-94% accuracy.

According to Andrea Chen, Google’s principal industry analyst, “In the seven-day window prior to a film’s release date, if a film receives 250,000 search queries more than a similar film, the film with more queries is likely to perform up to $4.3 million better during opening weekend. When looking at search ad click volume, if a film has 20,000 more paid clicks than a similar film, it is expected to bring in up to $7.5 million more during opening weekend.”

While Google doesn’t plan on charging studios for tracking information, any actionable data might help movie marketers fine tune campaigns to better engage potential moviegoers and maximize revenue from theatrical runs.

The third and final workshop was “The Changing Rules of Audience Measurement.” Of the speakers, Jack Wakshlag, Chief Research Officer at Turner Broadcasting System, and David F. Poltrack, Chief Research Officer at CBS Corporation and President of CBS Vision, were the most authoritative.

What’s interesting is that despite fears that alternative consumption (e.g., streaming and DVR) might erode ad revenue, major content distributors view it as just another avenue to provide their service and sell advertising though the market is still very small. This year, only 2% of viewers took to streaming the NCAA tournament on CBS, but this makes live events even more valuable as viewers can’t cannot fast-forward through programming.

One intriguing sidebar made was on the importance of sound in commercials because even when viewers get up and walk away from the TV, any information heard keeps them connected even if they’re not in the immediate vicinity.

It should go without saying but collecting and analyzing data is a necessity for marketers to develop actionable insight. That’s pretty intuitive. What isn’t is the fact that how we adapt and respond to changes in the marketplace are paramount to long-term success. I say that because it’s easier to get caught up in one component: what the competition is doing, versus improving our own processes.

If I learned anything from Massive, it’s that businesses that effectively engage their people and have their finger on the pulse of what customers want will always have a competitive advantage.

Photo Credit: Jeffrey R. Staab (CBS), Virginia Sherwood (NBCUniversal), Variety

https://vimeo.com/bravodesignince

The Internship

Billy McMahon (Vince Vaughn) and Nick Campbell (Owen Wilson) are out-of-work salesmen whose careers have been torpedoed by the digital world. Trying to prove they’re not obsolete, the two reinvent themselves, earning their way into a coveted internship at Google. Gaining entrance, however, is only half the battle. Facing a battalion of brilliant college students, Billy and Nick must compete with the nation’s most elite, tech savvy geniuses to prove that necessity really is the mother of reinvention.

Scott Foundas of Variety writes, “This big-hearted underdog comedy from director Shawn Levy is, much like its two leads, exceedingly affable and good-natured.” HSX predicts that The Internship opens at $24M this weekend.

The Internship, Bravo DesignRating: PG-13 // Genre: Comedy // Runtime: 1 hr. and 59 min. // Starring: Vince Vaughn, Owen Wilson, John Goodman, B.J. Novak // Directed by: Shawn Levy // Written by: Vince Vaughn, Jared Stern // Produced by: Twentieth Century Fox, Regency Enterprises,Wild West Picture Show 21 Laps, Dune Entertainment // Distributed by: Twentieth Century Fox Film Corporation

https://vimeo.com/bravodesignince

Bounce Rate + Site Optimization

Over the course of the last few weeks, we’ve shifted the focus on the Bravo Design, Inc. blog from a semi-random traffic grab to generating meaningful content for better overall engagement. And outside of gaining a regular following (i.e., growth in repeat visits), a peripheral goal of mine is to decrease our bounce rate as needed and optimize the BDI site for visitors.

“Are bounce rates and exit rates the same thing?” you ask.

No, your bounce rate is the percentage of people who land on a page and leave before navigating to the next. They might be on that page for one second, one minute or one hour, but they’re not going anywhere else before leaving.

The exit rate is defined as the percentage of traffic that leaves your site from a given page based on how many visits that the particular page has received. These visitors have landed on other pages, going from pages X, Y to Z and jumped on the last.

While it may be inferred that high bounce rates are always bad, it’s really just a matter of context. For example, if a user navigates to your site, finds a succinct answer to their question and leaves, that specific page has successfully completed its goal. It becomes a problem when the bounce rate is high at the top of the funnel (e.g., on your homepage or halfway through a paginated article).

“So what does a high bounce rate mean?”

One, you’re acquiring the right kind of traffic, and your pages are doing their job. All is well like in the example listed above. This might be true if your visitors are successfully completing a call-to-action and exiting immediately after.

Two, you’re drawing in the wrong traffic, a segment uninterested in what you have to offer. We publish an article showcasing our featured film release almost every week. And for the longest time, we were receiving tons of traffic for a horror movie called The Apparition. Yes, traffic is cool but much more so when it’s relevant.

Now that might not be the best example given the fact that we do a lot of movie marketing work, and a featured release series is right up our alley. But we know that the visitors who frequent these pages shouldn’t be misconstrued as potential customers interested in custom WordPress development of graphic design work. They want to know more about a movie, and we’re happy to oblige.

Three, there’s a disconnect between what visitors anticipate to find and what they actually see. Not too long ago, I subscribed to Ramit Sethi’s newsletter, “I Will Teach You to Be Rich.” He’s enormously popular; author to a New York Times bestseller; etc., and I was looking for practical ways to save money here and there.

One of the first e-mails I got from him was titled, “Congrats, Your 1-Week MBA on Earning More Money Starts Tomorrow.” Really? In it, Ramit goes on to say that he went from making $20/hour to $3,000 in just a few years, and that might be true. It might not be. I have no idea, but claims that seem too good to be true make me increasingly more apprehensive as do “30-Day Courses on Hustling.” As a result, I didn’t read any of the additional literature sent to me.

This also takes shape in the form of link bait. The people who frequent your site and follow you via social media do so as a vote of confidence. Don’t abuse that.

Four, your website is killing them, Smalls. This might be due to technical bugs, a lack of user-friendliness, poor design, slow load times, etc. It’s impossible to diagnose without actually seeing your site, but we’d be happy to give your site a look if you drop a line in the comment box below with your URL and e-mail address.

“Why does any of this matter?”

Imagine that you’re going out to dinner. You’ve heard raving reviews from everyone and their mom, and you’re amped to finally get the chance to try it out. Only, when you walk into the foyer of the restaurant, you see a giant rat dart across the corridor. What do you do? You probably leave regardless as to what you’ve heard and call the health department before pulling out of the parking lot.

If the homepage of your website is in any way similar, and your prospective clientele exits as soon as they enter, you have a serious problem. Bounce rates provide you with insight as to how your website is performing and will help you determine if landing pages are performing up to standard. Because in the end, vanity metrics like web traffic are pretty meaningless and a huge time suck.

If you’d like some feedback on your website free of charge, leave a comment in the box below with your URL and e-mail address or send us a Tweet with the hashtag feedback (#feedback).

https://vimeo.com/bravodesignince

After Earth

In a dystopic future, humanity is forced to resettle on a planet called Nova Prime after a series of cataclysmic events threatens mankind’s existence on Earth.

Cypher Raige (Will Smith) commands a peacekeeping organization known as the Ranger Corps where his son, Kitai (Jaden Smith) is a cadet with aspirations to follow in his father’s footsteps. Frustrated at what he perceives as a lack of discipline, Cypher, at the behest of wife, takes Kitai on a mission to Earth. When the ship is damaged, a crash landing kills every passenger with exception to father and son but seriously injures Cypher.

It’s up to Kitai to recover an emergency beacon and signal for help by embarking on a perilous journey across a hostile environment filled with dangerous creatures that have continued to evolve in the absence of humans and now dominate the planet.

Drew McWeeny of HitFix.com writes, “It’s lovely to see something that is sincere, thematically focused, and that ultimately works in a way I didn’t expect.” HSX predicts that After Earth will earn around $44M in its debut weekend.

After Earth, Bravo Design Rating: PG-13 // Genre: Action, Adventure, Sci-Fi // Runtime: 1 hr. and 40 min. // Starring: Jaden Smith, Will Smith, Sophie Okonedo // Directed by: M. Night Shyamalan // Written by: Gary Whitta, M. Night Shyamalan, Will Smith // Produced by: Columbia Pictures, Overbrook Entertainment, Blinding Edge Pictures // Distributed by: Columbia Pictures, Sony Pictures Releasing

https://vimeo.com/bravodesignince

Traffic & Engagement

I’ve made a mistake and now it’s time to own up to it.

Over the course of the last year, I made it a priority to maximize Bravo Design’s traffic volume and broaden our content marketing pipeline going the route of “accuracy by volume.” I figured that if conversion rates held constant with growing traffic, more visibility would produce more business.

Through 2012, visits more than doubled and so did page views compared to 2011. We ranked on page one for graphic design and web development related keywords locally. But did our conversion rate double as well?

No, it did not.

Why? Because I didn’t engage them effectively. Instead of talking with people, I was talking at them. And unless you’re YouTube or a site that makes its money off of ad impressions, web traffic is a vanity metric that doesn’t correlate to revenue on the backend.

More important than attracting visitors is attracting customers.

For fans of .GIFs, this is what it looks like when you target one-off visitors who won’t follow you over time or do business with you (i.e., the wrong people).

So what should you do?

Focus on the things that matter.

Objectivity

Your people are your greatest asset. A lot of businesses think they know who their customers are and what they want, but few ever take the time to find out for sure.

In 2011, I had broken my leg badly enough to require surgery and was completely dependent on the people around me for probably about a month, and a huge chunk of that responsibility was shouldered by my parents. When I couldn’t get off the couch, my dad would come home from work during his lunch break to cook for me and later on again for dinner in the evening. It was huge, and I’m both grateful and humbled by that love.

But just so you know, my family is Thai. So by default, my dad cooks the spiciest food ever. It’s not spicy where you pound down a glass of milk or water and keep trucking on. It’s debilitating where confusion is followed closely by its friend panic. He doesn’t do this on purpose of course. He just knows what he likes to eat and thinks that everyone else will enjoy it too.

I didn’t, and still don’t, have the heart to tell him that his cooking stresses me out, and I actually don’t think he’s ever asked. But your customers will most definitely let you know if your product offering isn’t up to par. That might come in the form of negative feedback or a pass so take a step back and reassess. Optimization is an ongoing process, and you need to be objective.

The Perfect Customer

In a webinar on Attracting the Right Customers to Your Business, Sonia Simone of Copyblogger encouraged her listeners to, “spend 10 minutes describing [their] very perfect customer. That’s the person who can afford what you sell. They need and want what you sell. They’re ready to buy it.”

That’s obviously a highly specific group, but it’s who you should be targeting.

If you were in the market for a new car, let’s say a Porsche. I would probably be hard pressed to sell you a Dodge Grand Caravan. The same would be true the other way around. And while it pains me to say this, I must. You can’t be all things to all people.

On the upside, really understanding that affords you the opportunity to concentrate on viable prospects.

Apparent Value

Most of your content should be about your customer, specifically the one you’ve spent 10 minutes to describe, and should demonstrate why you should be trusted and why your product is valuable.

Each and every week, I receive an impressive amount of SEO spam from strangers that goes straight to the trash. It would be one thing if they were to say, “We helped XYZ Company in Burbank, California reach the first page by doing yadda, yadda, yadda” or offered a case study, but they never do.

One person who has e-mailed me numerous times simply says, “We can increase rankings of your website in search engines. Please reply back for more details.” No, sketchy guy. I’d prefer if you didn’t carpet bomb our website, and it get de-indexed.

Brian Clark says, “That’s the beauty of social media, blogging, Twitter, Facebook. People will tell you. Sometimes they will tell you with the sound of crickets chirping and you have to say, ‘Well, I screwed up.’ And move on. Don’t give up. Try something else.” Conversely, if it is something your people like, they’re going to let you know by commenting on it or sharing it with their circles.

Moving on

There are more points I could (and maybe should) touch on, but I’ll do that that in the coming weeks. If you’re not following us on Twitter or Google+, make sure to do so. We’ll keep you posted on tips and tutorials as well as the sequel to this part. As an added bonus, I find the best .GIFs.

Albert Einstein once said, “The definition of insanity is doing the same thing over and over again and expecting different results.” If you’re unable to successfully engage customers, switch it up and do something different like throw your parents under the bus. Just kidding. But sorry in advance, dad.

https://vimeo.com/bravodesignince

Epic and The Hangover III

When teenager Mary Katherine (Amanda Seyfried) loses her mother to illness, she is forced to go live with her eccentric father, Professor Bomba (Jason Sudeikis), a crackpot inventor completely obsessed with the idea that a community of miniature people exists in the forest.

Though initially skeptical, MK is magically transformed, in a chance encounter, into a tiny person by Queen Tara (Beyoncé Knowles) and tasked with saving the world of Moonhaven and its Leafmen inhabitants from falling into the evil hands of Mandrake (Christoph Waltz) and his army of Boggans.

Epic takes its inspiration from William Joyce’s book The Leaf Men and the Grave Good Bugs. Stephen Holden of The New York Times writes, “As you watch its characters zoom through a lush forest on the backs of hummingbirds, the gorgeous 3-D adventure comedy Epic suggests a warmer, fuzzier Avatar, with a green heart. Directed by Chris Wedge, the movie is a hymn to nature rendered in phantasmagoric detail as refined as anything I’ve seen in a computer-animated family film.”

HSX is predicting that Epic takes in $38.5M this weekend.

Epic, Bravo Design

Rating: PG // Genre: Animation, Adventure, Family // Runtime: 1 hr. and 42 min. // Starring: Beyoncé Knowles, Colin Farrell, Josh Hutcherson, Amanda Seyfried, Christoph Waltz, Aziz Ansari, Chris O’Dowd, Pitbull, Jason Sudeikis, Steven Tyler // Directed by: Chris Wedge // Based on the “The Leaf Men and the Brave Good Bugs” by: William Joyce // Screenplay by: Tom J. Astle, Matt Ember, James V. Hart, William Joyce, Daniel Shere // Produced by: Twentieth Century Fox Animation, Blue Sky Studios // Distributed by: Twentieth Century Fox Film Corporation

The Hangover III

It’s been two years since the last Hangover movie, and three-quarters of the Wolf Pack have settled down: Phil (Bradley Cooper), Stu (Ed Helms) and Doug (Justin Bartha) are happily living uneventful lives at home. But still lacking a sense of purpose is the group’s black sheep Alan, who has ditched his meds and given in to his natural impulses.

Or at least he does so until disaster strikes.

In the aftermath of a personal crisis, the Wolf Pack convinces Alan to check into a psychiatric treatment facility by promising to drive him there themselves. Things start to go wrong en route when the group is assaulted, and Doug is kidnapped by a gang of masked thugs led by crime-boss Marshall (John Goodman).

Now the one person that can help them is Mr. Chow (Ken Jeong), their partner in crime who inflicts as much trouble on them as is humanly possible.

Joe Neumaier of New York Daily News, “A hysterical crowd-pleaser, director Todd Phillips’ wild ride through the mind of the American guy that lopes easily from epic set-pieces to male rite-of-passage shenanigans.” HSX is predicting that The Hangover Part 3 earns $67.7M

Rating: R // Genre: Comedy // Runtime: 1 hr. and 40 min. // Starring: Bradley Cooper, Ed Helms, Zach Galifianakis, , Justin Bartha, Ken Jeong, John Goodman // Directed by: Todd Phillips // Screenplay by: Todd Phillips, Craig Mazin // Produced by: Green Hat Films, Legendary Pictures // Distributed by: Warner Bros. Pictures

https://vimeo.com/bravodesignince

WordPress

If you own your own business, you need an online presence. That’s non-negotiable.

That doesn’t mean you need a website equipped with every bell and whistle, but your online traffic is likely to find you through organic queries, at least in part. And since search is by and large intent based where users know or have a general idea of what they want, basic information should be made available to streamline matchups with potential customers.

A locksmith might post hours of operation and a telephone number via Google Places; a restaurant its menu for customers to peruse through on Yelp or GrubHub; and a graphic design agency a blog for readers to find tips and tutorials or browse through an amazing portfolio that showcases its incredible work. That’s my one shameless plug for the week.

That’s not to say that a locksmith wouldn’t blog. It’s just that the minimum viable product requirements are different for them than, say, a brain surgeon. Primarily, because you’d want to obtain as much information as possible on surgical candidates who would potentially open up your head versus a seemingly interchangeable supply of locksmiths. For those who disagree with this point, make sure to leave a comment in the section below.

In any case, an excellent option to cover all your bases is a WordPress si

WordPress, Bravo DesignA Live Look at Activity Across WordPress

WordPress

WordPress is an open-source content management system (CMS) that has taken the world by storm. Known primarily for blogging, it has grown to be much more than that. It powers nearly 66 million websites, with 100,000 more popping up each day. Notable users include: E-Bay, The New York Times, TechCrunch, Reuters, Katy Perry, UPS and a wide array of Fortune 500 Companies. Each month, 371 million people view more than 4.1 billion pages on WordPress sites, and the number of posts created is continuing to trend upwards.

Posts on WordPress, Bravo DesignThe Number of Posts WordPress Users Are Publishing

It’s Cost Effective.

Because it’s open-source, it’s free to download and use, making it extremely cost-effective even if you do decide to purchase themes or widgets; whereas coding a custom CMS with similar functionality could cost a boatload. It’s robust and professional looking and one of the best ways to manage your SEO on the cheap.

Yoast is a plugin that let’s you optimize page information along with meta descriptions, using snippet preview functionality to see what it would look like in Google. If you have pages you don’t want indexed by search engine robots, you can hide them per page. And lastly, you can canonize pages, distinguishing originals from derivatives. Best of all, it’s free.

Yoast, Bravo Design II Yoast, “Why You Should Be Using WordPress”

It’s Flexible.

WordPress is extremely flexible and pragmatic. If a specific feature isn’t built-in to a template, there are currently 24,897 plugins available to enhance your site’s functionality making WordPress a serious contender as an e-commerce platform. With active members contributing from around the world, as well as developers for hire, the customization opportunities are endless.

As an FYI, if you’re a developer looking to chat with peers, you can do so via the #WordPress-dev channel on IRC or using #WordPress. If you’re new to the process like myself, sign up at WordPress.org and use the Codex and/or forums to start learning.

It’s Easy to Use.

Prior to working at Bravo Design, Inc., I had zero experience working with CMS no less WordPress, but learning is a piece of cake. Rest assured, you’ll pick it up quickly too. Everything from backend navigation to adding posts, media or tweaking metadata for search engine optimization is really straightforward.

That’s the beauty of WordPress.

This last week, I uploaded my own demo WordPress to tinker around with, marking my third install ever. I’ve done one via WAMP, one through GoDaddy’s easy install and this one onto the Bravo server. While it wasn’t quite done from scratch because I had a pre-configured FTP login, hosting and a tutorial on hand, it was pretty simple. When I say “simple,” I mean a novice could do it and not “simple” as in the way Ikea describes its kitchen installations.

In the coming weeks, we’ll try and upload an easy to use tutorial for those of you who want to install their own WordPress. But for those of you who already have websites, what CMS do you use and why?

Photo Credit: WordPress.org, Webdesign.org

https://vimeo.com/bravodesignince

Smarter Web Design

Just recently, I read an AdWeek article on the ANAR Foundation, a Spanish child-advocacy organization. With the help of their ad agency Grey Spain, they used lenticular printing for a powerful outdoor advertising campaign that offered help to abused children without alerting their abusers, even if they saw the ad simultaneously. Lenticular printing is a process where printed images are given the illusion of depth or motion and allows for different photos to be seen depending on the angle it’s viewed from.

For this particular poster, anyone over four-foot-five would read, “Sometimes child abuse is only visible to the child suffering it.”

ANAR, Smart Web Design (Above)

Those under that height would see, “If somebody hurts you, phone us and we’ll help you” along with the phone number for ANAR’s hotline.

ANAR, Smart Web Design (Below)

Seeing this made me wonder: how are we as an industry adopting smarter, more responsive design given the incredible tools that we do have?

In an article in Smashing Magazine, Vasilis van Gemert wrote: Up until not so long ago, we used to base our designs on some rather general assumptions about screen size and input type. With the rise of devices with various screen sizes and alternative ways to interact, these assumptions have turned out to be unreliable. In the ‘90s, the web was 640 pixels wide. In the early 2000s, it grew to 800 pixels and later to 1024 pixels. Then, a device with a very small screen entered the market. Suddenly, our ideas about the size of the web did not work anymore.

Something similar happened with bandwidth and page load time. We went from 14.4 to 28.8 to 56k to broadband and got faster and faster. Then people started using those very same mobile devices to browse the web more and more but expected for load times to be comparable to what they saw on PCs only to find that they wouldn’t due to compatibility and integration issues.

According to an article on KISSmetrics: Surveys done by Akamai and Gomez.com indicate that nearly half of web users expect a site to load in two seconds or less, and they tend to abandon a site that isn’t loaded within three seconds. 79% of web shoppers who have trouble with web site performance say they won’t return to the site to buy again, and around 44% of them would tell a friend if they had a poor experience shopping online.

At the moment, you may not be seeing much in terms of web traffic from different devices, but I wouldn’t be quick to disregard this advice. As we’ve all seen, history is filled with examples of once-thriving businesses that were wiped off the map due to an inability to adapt (e.g., Blockbuster vs. Netflix, Kodak vs. Fujifilm, Borders vs. Barnes & Noble).

As a sidebar, each of these businesses failed to read emerging markets correctly and defeated themselves. Ironically, Kodak invented one of the first digital cameras in 1975 only to put it on the backburner for about two decades because it wouldn’t be very profitable at the time. By the time Kodak decided to switch gears, it was much too late.

But going back to the point, back in March, Adobe Dig­i­tal Index posted a study after ana­lyz­ing more than 100 bil­lion vis­its to 1,000+ web­sites worldwide uncovering trends in the transition from PC to mobile device usage, which are impressive to say the least.

Adobe Digital Index, Web Design

Global Traffic by Device Type:

Adobe Digital Index, Web Design

The study goes on to say that while smart­phones remain much more com­mon, the tablet form fac­tor makes it ideal for brows­ing. Whether it be leisurely surf­ing the web, engag­ing with video or shop­ping online, on aver­age inter­net users view 70% more pages per visit when brows­ing with a tablet com­pared to a smartphone.

Adobe Digital Index, Web Design

In an article on “Responsive Web Design,” Ethan Marcotte writes “an emergent discipline called ‘responsive architecture’ has begun asking how physical spaces can respond to the presence of people passing through them. Through a combination of embedded robotics and tensile materials, architects are experimenting with art installations and wall structures that bend, flex, and expand as crowds interact with them” much like ANAR’s outdoor ad buy.

Marcotte goes on to say, “This is our way forward. Rather than tailoring disconnected designs to each of an ever-increasing number of web devices, we can treat them as facets of the same experience. We can design for an optimal viewing experience, but embed standards-based technologies into our designs to make them not only more flexible, but more adaptive to the media that renders them. In short, we need to practice responsive web design.”

Since the end of 2012, we’ve incorporated responsive web design into all of our web design projects from sites that stream movies via CDN to those with online shopping carts. If you have questions on the either its benefits or how to achieve this, please contact us here.

Photo Credit: PetaPixel.com, Adobe Digital Index

https://vimeo.com/bravodesignince

The Great Gatsby

The Great Gatsby follows Nick Carraway (Tobey Maguire) as he leaves the Midwest in search of the American dream in the spring of 1922. A would-be writer of modest means, Nick rents a small house in West Egg next door to the mysterious self-made millionaire Jay Gatsby (Leonardo DiCaprio) and across the bay from his cousin, Daisy (Carey Mulligan) and her husband, Tom Buchanan (Joel Edgerton). Anyone who’s anyone attends Gatsby’s extravagant parties where the booze flows (despite a ban on alcohol better known as prohibition) and excess is realized.

It’s only after Nick and Gatsby become friends that we learn that Daisy was Gatsby’s sweetheart before he was sent off to war and all that he’s done since, he’s done for her. Gatsby wants to believe he and Daisy can rewind the clock to a better time when the two were in love with one another. “If I could just get back to the start,” he says. But as Nick reminds him, “You can’t repeat the past.”

Lou Lumenick of the New York Post writes, “Leonardo DiCaprio makes a splendid, Oscar-caliber Gatsby, capturing the dark side behind his affected bonhomie as no actor has done since Alan Ladd in 1949, and he’s perfectly abetted by Tobey Maguire’s hard-drinking Nick. The Great Gatsby stands out like a beacon in a sea of silly blockbusters.”

The film will be distributed in standard, 3D and RealD formats, and HSX predicts that it will take in $37M in its 3,500 theater wide release this weekend. For downloads; additional trailers; TV spots; galleries and a very cool guide to style, check out the official The Great Gatsby website.

Rating: PG-13 // Genre: Drama, Romance // Runtime: 2 hr. and 23 min. // Starring: Leonardo DiCaprio, Tobey Maguire, Carry Mulligan, Joel Edgerton, Isla Fisher, Jason Clarke // Directed by: Baz Luhrmann // Based on the Novel by: F. Scott Fitzgerald // Screenplay by: Baz Luhrmann, Craig Pearce // Produced by: Warner Bros. Pictures, Village Roadshow Pictures, A&E Television, Bazmark/Red Wagon Entertainment // Distributed by: Warner Bros. Pictures

https://vimeo.com/bravodesignince

The Attribution Problem

“Half the money I spend on advertising is wasted; the trouble is I don’t know which half.” –John Wanamaker

Throughout the history of advertising, drawing a line between an asset and a sale has been notoriously difficult, but the Internet changed that. In its infancy, it offered a distinct advantage over its older, offline predecessors in the form of measurability. But despite the enormous progress made, the online advertising industry continues to face several challenges including a critical dilemma known as the attribution problem.

Neil Mason, SVP of Customer Engagement at iJento, writes, “Marketing attribution is both a business problem and an analytical problem. The business problem is simple: ‘How do I best spend my budget?’ The analytical problem is a bit more complex: ‘How do I develop a methodology that delivers some valuable insight to solve the business problem with the data, time, and budget available?’”

Currently, the last impression or click served is attributed as being the tipping point in a purchase and fails to credit other touch points thus discounting the impact of previous ad impressions made previously. By ignoring the contribution of previous ads, the current system devalues high impact ads and obfuscates the impact of social media on downstream conversion.

Think about the last time you saw a movie. What coaxed you into seeing it? Was it a billboard, a trailer, something you heard on the radio or maybe a mention on Facebook? In reality, all of those touch points probably contributed towards you making that decision in part. With regards to the attribution problem, only the last interaction is credited with a conversion. If that were the Facebook ad, should movie studios then decide to allocate more of their ad spend towards Facebook ads? Well no, not necessarily at least.

Last November, IBM issued its annual Black Friday Report analyzing sales trends and year over year changes on a percentage basis. In 2012, online sales for doomsday Black Friday increased 17.4%, contributing to a 20.7% overall surge in sales. Pretty surprisingly, it goes on to say that Twitter delivered 0% of referral traffic and Facebook just 0.68%. And finally that between Facebook, Twitter, LinkedIn and YouTube, the social sites generated 0.34% of all online sales on Black Friday, down just over 35% from 2011.

IBM Black Friday Report

But before you abandon your ad spend on the aforementioned social media services, you should probably take the report with a gain of salt. Because it doesn’t disclose the methodology used to compile the results, it’s difficult to assess how significant the data is without the proper context. Curiously, it’s worth noting that Black Friday is a day where retailers push to get people into stores, not make purchases online. It would’ve been interesting to see follow up data from Cyber Monday in a second report, but it doesn’t seem as if that was taken into consideration.

That said, this doesn’t mean that Twitter or any of the other social media sites aren’t driving referral traffic or that they don’t have the capacity to influence, neither of which is true obviously. What it does indicate is that there are serious issues in tracking and quantifying downstream conversion when it should clearly demonstrate a return on investment (ROI) to businesses willing to shell out precious advertising cash.

In a Forbes article on “Search vs. Display Advertising,” Michael Blanding writes, “Faced with this conundrum, most companies allocate their advertising budgets in a an ad hoc manner—throwing money into whatever bucket they perceive to have most influenced past purchase decisions leading firms to overspend on some actions and thus waste money and/or under spend in others.” Blanding goes on to say, “The only way to truly determine the efficacy of display ads versus search ads is to watch the effects over time, and to see how modifications in budget allocations change customers’ purchase decisions.”

That’s exactly what Sunil Gupta, a professor of business administration at Harvard would do in a working paper titled, “Do Display Ads Influence Search? Attribution and Dynamics in Online Advertising.” Through the use of persistence modeling, Gupta along with Pavel Kireyev and Koen Pauwels were able to figure out the ROI on search and display ads for every $1 spent by a major US bank in new customer acquisition. By first calculating the expected effect of advertising and later using a series of regressions over time to isolate the effects of display and search ads, the three were able to see how changes in ad budgets change those expectations over time and optimize ad spend.

Unfortunately, the overwhelming majority of us don’t have Harvard business school professors available to fine tune our ad budgets or expertise in advanced statistics, so we’ll have to tough it out on our own. But going back to Mr. Blanding’s article, you’ll have to tinker with your ad budget to figure out where you should be spending ad dollars and where you should taper back. Don’t be discouraged if ads fall flat. That’s really just the nature of the beast.

Have questions? Leave a comment in the box below or fill out a contact form here. We would be happy to work with you to create a plan that best serves your business by maximizing your ad dollars.

Photo Credit: Inc.com, IBM

https://vimeo.com/bravodesignince

Tips on Avoiding the Pitfalls of Content Marketing

I was reading an article by Mauro D’Andrea on KISSmetrics the other day where he wrote that: most blog adopters were successful because they adopted content marketing early on. They anticipated a trend at a time when few others did and were able to stand out and be noticed. Today, content marketers face competition in every segment of the economy, and many aren’t accomplishing it in a great way.

You and I? We’re a little late to the party, at least I am.

Content creation is a core component of inbound marketing and, hands down, one of the best ways to generate traffic to your website. That said, doing so effectively is really difficult. Outside of coming up with things to write about on a regular basis and actually writing, you’re clamoring for attention amongst a countless number of distractions whether that be Facebook, Candy Crush Saga, Amazon, YouTube, Reddit, possibly even your local competitors.

According to MBAonline.com, each day, two million blog posts are posted, enough to fill Time magazine for 770 years, and 532 million statuses are updated.  Dick Costolo, CEO of Twitter, revealed that 400 million tweets go online daily.

So how does that bode for those trying to break through the noise? Not great though the task is certainly not insurmountable. Whether you’re launching a new blog or getting back on the horse, here are tips on amplifying your message.

Users Can’t [Don’t] Read

They skim. At least that’s what Jakob Nielsen has said time and time again. To summarize the latter study, when supplied with a dataset detailing nearly 60,000 page views provided by Harald Weinreich, Nielsen found that as users encounter pages with ever increasing amounts of information, they’d expend an average of 4.4 seconds for each additional 100 words. And since the average reading speed is estimated to be around 300 words per minute (WPM), an additional 4.4 seconds would net 22 of the 100 words meaning that readers would only consume 22% of additional information shown. Nielsen used 250 WPM as his benchmark and landed at 18% hence the variation.

Duration of Visits vs. Content Length

While one takeaway might be that the average web user has little or no patience, another might be that we, as content providers, are failing to provide things worth spending time on. Instead of trying to skirt this by pruning copy, prioritizing information above the fold, A/B testing, calls-to-action, etc., we should aim to optimize the experience as whole.

Remember: humans are visual creatures and while exceptional content is paramount, content takes form in different shapes and forms outside of text (e.g., pictures, tables, infographs, videos, etc). Switch things up to take full advantage of each medium’s strengths and to play them off one another. Pamela Wilson has an excellent article on Copyblogger with simple tips to get more people to read your content.

Share Your Content on Channels off the Beaten Path

Next, if you’re sharing content via Twitter, Facebook and Google+, you’re on the right track. But you can also use Reddit, StumbleUpon and Pinterest to supplement the process. According to data released by Shareaholic, Pinterest “continues to outpace Yahoo! organic traffic and hold its spot as a significant traffic driver.” StatCounter ranks it as the second most frequently used social site just behind Facebook.

Global Stats for Social Media Sites

If you’re employing StumbleUpon, use the su.pr URL shortener so that when users click on links, they’ll see the StumbleUpon dashboard where they’ll have an option to give you a thumb up. In turn, whatever you originally shared will then be shown to other users with similar interests. Free traffic? Yes, please. After tinkering with a few mediums, you’ll know which ones to invest in more heavily when searching through your referral traffic on Google Analytics.

Network or No One Will See Your Message

And last but certainly not least, you need to expand your network by interacting with other bloggers and readers, prospective or otherwise. That might mean grabbing coffee with people who might help you further your message, regularly commenting on blogs, going to conventions or just providing answers to questions on Yahoo! or Quora. Though it might pain you to resist going to completely obscure conventions and/or answer random questions, neither are likely to help your content marketing efforts even if they are hilarious.

Content Marketing

I wanted to touch on this point because even if you are sharing your content via social media, without a following, you’re really just screaming into the abyss. It took me forever to figure out that by tweeting random followers back and forth and by failing to form real relationships, I wasn’t setting Bravo Design, Inc. apart from any of its competitors. It was just this weird dance, and I’d like to help you avoid making that mistake if at all possible because it can be a huge time suck.

TL;DR (Because You Skim)

I hate to end this entry with a quote, no less a long one, but Seth Godin capped this off so succinctly in an article on Fast Company. In it, he wrote: “I’m driving through France with the family. And for the last 12 and a half hours, there’s been nothing but a ruckus. Suddenly, it’s quiet. My kids are transfixed, looking out the window at these beautiful cows. Then it’s a ruckus again. Because cows are boring. If you’ve seen one cow, you’ve seen them all. But what if one of the cows were purple?

Purple cows are remarkable. At least for awhile. Remarkable means two things. One, it means cool, neat. Two, it means worth making a remark about. If you make stuff that’s worth making a remark about, you’re 99% of the way there.”

We challenge you to be purple cows. In the comment section below, let us know how you engage and share remarkable content with your audience!

https://vimeo.com/bravodesignince

Key Art & Print Production

They’re everywhere: on billboards and buses, in your morning paper and on the sides of both buildings and blogs. Jules Cheret, a French painter and lithographer, is credited with creating the first movie poster in 1890 for a short film called Projections Artistiques. And for more than 100 years, movie posters have been used to fill seats in theaters around the world by piquing curiosity and, other times, by bewildering.

But what is key art?

Key art is the main image, or images, used in movie marketing that distill a movie by branding it towards a particular target audience, and, sans the trailer, it’s the first interaction potential moviegoers will have with a film. As a graphic design agency that specializes in movie ad production, our aim is to create ads that engage, inform and, most of all, entice viewers to want to watch the film. Title treatments are designed to accompany the aforementioned along with quotes, tag lines and billing blocks, the last being part of a legal requirement. From conception to completion, design is a collaborative process involving creative direction, art direction, copywriting, photography and then production. Once a department finishes their work, it’s passed down the line, so the next department or vendor can fulfill their project obligations.

When it comes to print production here at the Bravo Design studio, we determine the best method of execution and produce comps and/or mechanicals based on concepts drawn up either here or through our affiliates, maintaining consistent file preparation suitable for mass production by publications or vendors, the last of which is done when we receive client approval. The final product can take the form of newspapers and magazines ads, standees, displays, one sheets, banners, billboards or anything of the like.

Here are some of our favorite projects from the last year or so:

To see more, check out our portfolio.

https://vimeo.com/bravodesignince

42: The Jackie Robinson Story

In 1946, Jackie Robinson (Chadwick Boseman) was launched to forefront of history when legendary Brooklyn Dodgers GM Branch Rickey (Harrison Ford) signed him, breaking Major League Baseball’s infamous color line making both men the object of public derision. Facing unabashed racism from every direction, Jackie was forced to demonstrate both courage and restraint. In a famous exchange between Jackie and Rickey, Rickey asked Jackie if he would be able to face racial animus without incident. Aghast, Jackie asked, “Are you looking for a negro who is afraid to fight back?” Rickey responded that he needed a negro player “with guts enough not to fight back.” Instead, Jackie, #42, let his talent do the talking, ultimately winning over fans, silencing his critics and paving the way for others to follow, in the end, proving that one man’s life could have a profound influence on American culture. 42, the movie, takes its title from Jackie’s uniform number — which the MLB subsequently retired across the league to mark the 50-year anniversary of Robinson’s first game in 1997.

David Germain of the Associated Press writes, “With an earnest performance by Chadwick Boseman as Robinson and an enjoyably self-effacing turn by Harrison Ford as Brooklyn Dodgers boss Branch Rickey, 42 hits every button you expect very ably. It riles with its re-creations of the heartless, ignorant racism to which Robinson was subjected. It uplifts with its depictions of Robinson’s restraint and fortitude. It inspires with its glimpses of support and compassion from teammates and fans.” HSX predicts that 42 will earn around $17M in its opening weekend.

To watch additional trailers, download media and enter a sweepstakes for a chance to win prizes (including a PS3) visit the official 42 website.

42, Warner Bros., Bravo Design

Photos by Warner Bros. Pictures and Elite Daily.

Rating: PG-13 // Genre: Biography, Drama, Sport // Runtime: 2 hr. and 8 min. // Starring: Chadwick Boseman, T.R. Knight and Harrison Ford  // Directed by: Brian Helgeland // Written by: Brian Helgeland // Produced by: Warner Bros. Pictures

https://vimeo.com/bravodesignince

Evil Dead

Mia (Jane Levy) invites two friends – Olivia (Jessica Lucas) and high school teacher Eric (Lou Taylor Pucci) – along with her big brother, David (Shiloh Fernandez), and his girlfriend Natalie (Elizabeth Blackmore) to accompany her out to her family’s cabin deep in the woods as she tries to kick a drug habit cold-turkey. There, Eric finds a mysterious flesh bound Book of the Dead filled with horrific illustrations, mysterious symbols and directions not to read aloud anything that appears in its ancient pages. Unfortunately for all parties involved, Eric discards caution by the wayside awakening a familiar demon for a new generation of young victims.

John DeFore of the Hollywood Reporter writes, “True to the essence of its predecessor, the high production values and nonstop action offered here should also please younger genre fans who’ve never bothered to rent it. Evil Dead delivers satisfyingly disgusting effects that serve an ever-accelerating action pace and exposes the demons at its core.”

HSX predicts that Evil Dead will earn around $20M in its opening weekend.

Evil Dead, Bravo Design Inc.

Rating: R // Genre: Horror // Runtime: 1 hr. 31 min. // Starring: Jane Levy, Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, Elizabeth Blackmore // Directed by: Fede Alvarez // Written by: Fede Alvarez, Rodo Sayagues // Produced by: FilmDistrict, Ghost House Pictures, TriStar Pictures // Distributed by: Sony Pictures Entertainment, TriStar Pictures

https://vimeo.com/bravodesignince

The Croods

The Croods is a prehistoric animated comedy-adventure that follows the Crood family, led by their patriarch Grug (Nicolas Cage). While his neighbors have succumbed to the perils of their time, Grug has kept his family safe by living in a state of constant fear, sticking to simple mantras etched into their cave walls. His credo is: “Fear keeps us alive. Never not be afraid.”

But despite the writing on the wall, their world is literally crumbling down around them when tectonic plates shift, and the family become homeless. Amid thick vegetation and new predators, they meet Guy (Ryan Reynolds) who warns of imminent destruction that propels our protagonists on a quest towards higher grounds, which may prove difficult given that the Croods aren’t used to being so vulnerable.

Christy Lemire of the Associated Press writes, “The animated adventure features a strong, star-studded cast and dazzles visually in wondrously colorful, vibrant 3-D. Brisk and beautiful, much of the lush landscape and vivid details propel these stronger segments.” HSX is predicting that The Croods opens at around $42.5M; FilmGo is anticipating upwards towards $47.5M.

The Croods

Rating: PG // Genre: Animation, Adventure, Comedy // Runtime: 1 hr. 38 min. // Starring: Nicolas Cage, Ryan Reynolds, Emma Stone // Directed by: Kirk De Micco, Chris Sanders // Written by: Kirk De Micco, Chris Sanders // Produced by: DreamWorks Animation // Distributed by: Twentieth Century Fox Film Corporation

https://vimeo.com/bravodesignince

The Incredible Burt Wonderstone

Burt Wonderstone (Steve Carell) and Anton Marvelton (Steve Buscemi) are a successful pair of old-school magicians who have been performing magic tricks together since they first teamed up as kids to entertain their classmates and have subsequently ruled the Las Vegas Strip, raking in a fortune with illusions as big as Burt’s growing ego. Their greatest deception, however, is their public friendship as the two have secretly grown to loathe one another. The straw that critically injures the figurative camel comes when Anton is, literally, critically injured by Burt during one of their performances, resulting in the two parting ways.

It’s only when Burt is overshadowed by a popular street-magician named Steve Gray (Jim Carrey), whose cult-following surges with each outrageous stunt (e.g., not blinking and/or urinating for days on end), that he must convince Anton to return to the act, so he can salvage his title – as well as their friendship – and get back in touch with what made him love magic in the first place.

Shaun Munro of Whatculture.com writes, “Even if all the beats unfold exactly as you expect, it’s the film’s quirkily unrestrained sense of humor that sees it through, from the cartoonish exaggeration of the characters to the ludicrously overblown nature of the tricks themselves. It’s clear that everyone working on the project is having a lot of fun, and this transpires through to the audience. It’s got a clever undercurrent running through most of the humor, though its foremost concern is to beguile with its off-kilter nature.”

The Incredible Burt Wonderstone is opening tonight, Thursday the 14th, with special 10pm screenings. HSX is predicting that the film will earn around $18M in its debut weekend at 3,100+ theaters. For a hilarious gallery of TV spots and stills from the movie, check out the official homepage linked above where you can also “Wonder-fy yourself” by inserting a picture of your face onto any of the Burt Wonderstone posters.

The Incredible Burt Wonderstone, Topper, Bravo Design

Rating: PG-13 // Genre: Comedy // Runtime: 1 hr. 40 min. // Starring: Steve Carell, Steve Buscemi, Olivia Wilde, Alan Arkin, Jim Carrey // Directed by: Don Scardino // Written by: Chad Kultgen, Tyler Mitchell, Jonathan Goldstein, John Francis Daley // Produced by: New Line Cinema, Benderspink, Carousel Productions // Distributed by: Warner Bros. Pictures

https://vimeo.com/bravodesignince

Jack the Giant Slayer

Based on the folk tale Jack the Giant Killer,  Jack the Giant Slayer is the story of Jack (Nicholas Hoult), a young orphan-farmhand who reignites a war that has spanned centuries between humans and giants over a crown we may or may not have taken from them [we did] and the giants’ subsequent banishment. The only thing is that the giants live somewhere between Earth and heaven, and there isn’t really a way for people to go up or the giants down, so it’s not a war in its most traditional sense.

Enter Jack.

Having been given some magic beans by a monk after selling his horse, he’s explicitly warned not to get them wet. Unfortunately, a single bean gets dropped during a storm, and a giant stalk sprouts in nanoseconds taking Jack’s love interest, Isabelle (Eleanor Tomlinson) up to the giants’ world. Not only do Jack and Elmont (Ewan McGregor) have to spearhead the rescue expedition whilst protecting Isabelle from plus-sized giants, they have to take on one particularly terrifying two-headed monster, General Fallon (Bill Nighy).

Claudia Puig of USA Today writes, “With deftly etched computer-generated imagery, the film looks like an illustrated storybook come to life. The tale is engaging, running circles around January’s dreadful Hansel & Gretel: Witch Hunters and other recent fairy-tale adaptations.” HSX is predicting that Jack the Giant Slayer earns about $28M in its opening weekend.

Rating: PG-13 // Genre: Adventure, Drama, Fantasy // Runtime: 1 hr. 54 min. // Starring: Nicholas Hoult, Stanley Tucci, Ewan McGregor // Directed by: Bryan Singer // Written by: Darren Lemke, Christopher McQuarrie, Dan Studney, David Dobkin // Produced by: New Line Cinema, Legendary Pictures, Original Film, Big Kid Pictures, Bad Hat Harry Productions, Warner Bros. Pictures // Distributed by: Warner Bros. Pictures

https://vimeo.com/bravodesignince

The 85th Academy Awards

Congratulations to our friends at Warner Bros. Pictures, along with the cast and crew of Argo for their three wins last night in the categories for best adapted screenplay (Chris Terrio), achievement in film editing (William Goldenberg) and the evening’s top honors for best picture (Grant Heslov, Ben Affleck and George Clooney) at the 85th Annual Academy Awards.

Over the course of the last several years, Bravo Design, Inc. has had the opportunity to collaborate with the marketing and creative services departments at WB on advertising for three best pictures winners: Million Dollar Baby (2004),  The Departed (2006) and Argo (2012). We’re absolutely thrilled to have had the opportunity to be a part of something loved by so many.

Once more, congratulations. We hope this is the third of many.

A few ads we produced this award season in conjunction with WorksLA, Concept Arts and Refinery.