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Tips on Avoiding the Pitfalls of Content Marketing

I was reading an article by Mauro D’Andrea on KISSmetrics the other day where he wrote that: most blog adopters were successful because they adopted content marketing early on. They anticipated a trend at a time when few others did and were able to stand out and be noticed. Today, content marketers face competition in every segment of the economy, and many aren’t accomplishing it in a great way.

You and I? We’re a little late to the party, at least I am.

Content creation is a core component of inbound marketing and, hands down, one of the best ways to generate traffic to your website. That said, doing so effectively is really difficult. Outside of coming up with things to write about on a regular basis and actually writing, you’re clamoring for attention amongst a countless number of distractions whether that be Facebook, Candy Crush Saga, Amazon, YouTube, Reddit, possibly even your local competitors.

According to MBAonline.com, each day, two million blog posts are posted, enough to fill Time magazine for 770 years, and 532 million statuses are updated.  Dick Costolo, CEO of Twitter, revealed that 400 million tweets go online daily.

So how does that bode for those trying to break through the noise? Not great though the task is certainly not insurmountable. Whether you’re launching a new blog or getting back on the horse, here are tips on amplifying your message.

Users Can’t [Don’t] Read

They skim. At least that’s what Jakob Nielsen has said time and time again. To summarize the latter study, when supplied with a dataset detailing nearly 60,000 page views provided by Harald Weinreich, Nielsen found that as users encounter pages with ever increasing amounts of information, they’d expend an average of 4.4 seconds for each additional 100 words. And since the average reading speed is estimated to be around 300 words per minute (WPM), an additional 4.4 seconds would net 22 of the 100 words meaning that readers would only consume 22% of additional information shown. Nielsen used 250 WPM as his benchmark and landed at 18% hence the variation.

Duration of Visits vs. Content Length

While one takeaway might be that the average web user has little or no patience, another might be that we, as content providers, are failing to provide things worth spending time on. Instead of trying to skirt this by pruning copy, prioritizing information above the fold, A/B testing, calls-to-action, etc., we should aim to optimize the experience as whole.

Remember: humans are visual creatures and while exceptional content is paramount, content takes form in different shapes and forms outside of text (e.g., pictures, tables, infographs, videos, etc). Switch things up to take full advantage of each medium’s strengths and to play them off one another. Pamela Wilson has an excellent article on Copyblogger with simple tips to get more people to read your content.

Share Your Content on Channels off the Beaten Path

Next, if you’re sharing content via Twitter, Facebook and Google+, you’re on the right track. But you can also use Reddit, StumbleUpon and Pinterest to supplement the process. According to data released by Shareaholic, Pinterest “continues to outpace Yahoo! organic traffic and hold its spot as a significant traffic driver.” StatCounter ranks it as the second most frequently used social site just behind Facebook.

Global Stats for Social Media Sites

If you’re employing StumbleUpon, use the su.pr URL shortener so that when users click on links, they’ll see the StumbleUpon dashboard where they’ll have an option to give you a thumb up. In turn, whatever you originally shared will then be shown to other users with similar interests. Free traffic? Yes, please. After tinkering with a few mediums, you’ll know which ones to invest in more heavily when searching through your referral traffic on Google Analytics.

Network or No One Will See Your Message

And last but certainly not least, you need to expand your network by interacting with other bloggers and readers, prospective or otherwise. That might mean grabbing coffee with people who might help you further your message, regularly commenting on blogs, going to conventions or just providing answers to questions on Yahoo! or Quora. Though it might pain you to resist going to completely obscure conventions and/or answer random questions, neither are likely to help your content marketing efforts even if they are hilarious.

Content Marketing

I wanted to touch on this point because even if you are sharing your content via social media, without a following, you’re really just screaming into the abyss. It took me forever to figure out that by tweeting random followers back and forth and by failing to form real relationships, I wasn’t setting Bravo Design, Inc. apart from any of its competitors. It was just this weird dance, and I’d like to help you avoid making that mistake if at all possible because it can be a huge time suck.

TL;DR (Because You Skim)

I hate to end this entry with a quote, no less a long one, but Seth Godin capped this off so succinctly in an article on Fast Company. In it, he wrote: “I’m driving through France with the family. And for the last 12 and a half hours, there’s been nothing but a ruckus. Suddenly, it’s quiet. My kids are transfixed, looking out the window at these beautiful cows. Then it’s a ruckus again. Because cows are boring. If you’ve seen one cow, you’ve seen them all. But what if one of the cows were purple?

Purple cows are remarkable. At least for awhile. Remarkable means two things. One, it means cool, neat. Two, it means worth making a remark about. If you make stuff that’s worth making a remark about, you’re 99% of the way there.”

We challenge you to be purple cows. In the comment section below, let us know how you engage and share remarkable content with your audience!

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Key Art & Print Production

They’re everywhere: on billboards and buses, in your morning paper and on the sides of both buildings and blogs. Jules Cheret, a French painter and lithographer, is credited with creating the first movie poster in 1890 for a short film called Projections Artistiques. And for more than 100 years, movie posters have been used to fill seats in theaters around the world by piquing curiosity and, other times, by bewildering.

But what is key art?

Key art is the main image, or images, used in movie marketing that distill a movie by branding it towards a particular target audience, and, sans the trailer, it’s the first interaction potential moviegoers will have with a film. As a graphic design agency that specializes in movie ad production, our aim is to create ads that engage, inform and, most of all, entice viewers to want to watch the film. Title treatments are designed to accompany the aforementioned along with quotes, tag lines and billing blocks, the last being part of a legal requirement. From conception to completion, design is a collaborative process involving creative direction, art direction, copywriting, photography and then production. Once a department finishes their work, it’s passed down the line, so the next department or vendor can fulfill their project obligations.

When it comes to print production here at the Bravo Design studio, we determine the best method of execution and produce comps and/or mechanicals based on concepts drawn up either here or through our affiliates, maintaining consistent file preparation suitable for mass production by publications or vendors, the last of which is done when we receive client approval. The final product can take the form of newspapers and magazines ads, standees, displays, one sheets, banners, billboards or anything of the like.

Here are some of our favorite projects from the last year or so:

To see more, check out our portfolio.

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Observations From CincemaCon 2013

Cinemacon 2013 marked the National Association of Theatre Owners’ third annual convention, a four-day summit at Caesar’s Palace in Las Vegas, and Bravo Design, Inc.’s first. And despite a sluggish first-quarter at the box office, one of the biggest takeaways from the conference is that 2013 will be another huge year for the movie industry. To back up just a tiny bit, 2012 was a record breaking year for the box office with domestic revenue at an unprecedented $10.8 billion and worldwide numbers at around $35 billion. And though 2013 has started off with a slow first-quarter at an estimated $1.75 billion in domestic box office receipts, we’re confident that this year will be one for the records.

Gathering outside Colliseum entrance before Sony Pictures presentation

At CincemaCon, each major motion picture studio was allotted time to present their slate of upcoming movies, including blockbusters and a few potential over-achievers. Movie stars and filmmakers accompany studio executives on-stage to present a trailer, extended footage or sometimes a full screening. It’s clear from the footage shown that it should be a massive summer and rest of 2013 at the box office.

Disney will open Iron Man 3 unchallenged on May 3rd, followed by Warner Bros. which will continue another successful year with The Great Gatsby on May 10th. The rest of the year looks just as strong. A few of the following films may cross a billion dollars such as The Hobbit: The Desolation of Smaug, but the rest are just as likely to please both audiences and studios.

Star Trek Into Darkness – May 17th (Paramount)
The Hangover Part III – May 24th (Warner Bros.)
Epic – May 24th (Fox)
After Earth – May 31st (Sony)
Man of Steel – June 14th (Warner Bros.)
Monsters University – June 21st (Disney)
World War Z – June 21st (Paramount)
The Heat – June 28th (Fox)
White House Down – June 28th (Sony)
The Lone Ranger – July 3rd (Disney)
Despicable Me 2 – July 3rd (Universal)
Pacific Rim – July 12th (Warner Bros.)
Grown Ups 2 – July 12th (Sony)
Turbo – July 17th (Fox-Dreamworks)
R.I.P.D. – July 19th (Universal)
The Wolverine – July 26th (Fox)
The Smurfs 2 – July 31st (Sony)
Elysium – August 9th (Sony)
Prisoners – September 20th (Warner Bros.)
Gravity – October 4th (Warner Bros.)
Captain Phillips – October 11th (Sony)
Thor: The Dark World – November 8th (Disney)
The Counselor – November 15th (Fox)
The Wolf of Wall Street – November 15th (Paramount)
The Hunger Games: Catching Fire – November 22nd (Lionsgate)
The Hobbit: The Desolation of Smaug – December 13th (Warner Bros.)
American Hustle – December 13th (Sony)
Monuments Men – December 18th (Sony)

CinemaCon attendees were treated to full screenings of Michael Bay’s Pain and Gain (a little long but surprisingly very entertaining), Fox’s comedy The Heat, starring Sandra Bullock and Melissa McCarthy (a hilarious pairing, well worth seeing), and Disney-Pixar’s Monsters University (another successful Pixar film with the usual mix of great storytelling, excellent animation, humor and warm-and-fuzzies). All of the films were screened with Dolby Atmos, the latest in sound technology, which you can feel not only in your ears but throughout the rest of your body as well. You can’t get this level of surround sound at home.

Fox Screening of The Heat

One of the most intriguing panel discussions at CinemaCon concerned the Chinese market. The importance of the worldwide box office to a film’s success is nothing new, but China is a unique and ever-growing piece of the international pie. It is now the second biggest consumer of films behind the U.S. and on pace to become the biggest box office in the world by 2020, but the market is very complex as outlined by Peter Y.F. Chan of Ernst & Young.

China is no longer just a producer of inexpensive products but a major consumer of global goods. The state-run China Film Group places complex regulations on film studios looking to release movies in the Chinese market and even when an edited version of the film is released, the percentage of revenue studios are allowed are much lower than in other markets. Historically speaking, the average Chinese consumer is extremely price sensitive and hasn’t grown accustomed to paying for content across the board.

Although difficult to develop, Chan recommends forming domestic partnerships or joint ventures to tap into local expertise to better understand Chinese culture, its sensitivities as well as assist in navigating through the difficult regulatory landscape. With over 350 million online video viewers, Chan recommends considering a digital distribution model as the Chinese become more open to paying for content on the small screen.

As marketers who frequently work with major motion picture studios to aid in the release and advertising of their films, CinemaCon was a valuable experience in getting the perspective of theatre owners and also considering solutions for connecting them with regular and passive moviegoers. Each market is unique, making it imperative to understand local communities and determine what mix of films, theatre technology and general atmosphere will attract moviegoers. If you are a theatre owner looking to grow your audience contact us here.

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42: The Jackie Robinson Story

In 1946, Jackie Robinson (Chadwick Boseman) was launched to forefront of history when legendary Brooklyn Dodgers GM Branch Rickey (Harrison Ford) signed him, breaking Major League Baseball’s infamous color line making both men the object of public derision. Facing unabashed racism from every direction, Jackie was forced to demonstrate both courage and restraint. In a famous exchange between Jackie and Rickey, Rickey asked Jackie if he would be able to face racial animus without incident. Aghast, Jackie asked, “Are you looking for a negro who is afraid to fight back?” Rickey responded that he needed a negro player “with guts enough not to fight back.” Instead, Jackie, #42, let his talent do the talking, ultimately winning over fans, silencing his critics and paving the way for others to follow, in the end, proving that one man’s life could have a profound influence on American culture. 42, the movie, takes its title from Jackie’s uniform number — which the MLB subsequently retired across the league to mark the 50-year anniversary of Robinson’s first game in 1997.

David Germain of the Associated Press writes, “With an earnest performance by Chadwick Boseman as Robinson and an enjoyably self-effacing turn by Harrison Ford as Brooklyn Dodgers boss Branch Rickey, 42 hits every button you expect very ably. It riles with its re-creations of the heartless, ignorant racism to which Robinson was subjected. It uplifts with its depictions of Robinson’s restraint and fortitude. It inspires with its glimpses of support and compassion from teammates and fans.” HSX predicts that 42 will earn around $17M in its opening weekend.

To watch additional trailers, download media and enter a sweepstakes for a chance to win prizes (including a PS3) visit the official 42 website.

42, Warner Bros., Bravo Design

Photos by Warner Bros. Pictures and Elite Daily.

Rating: PG-13 // Genre: Biography, Drama, Sport // Runtime: 2 hr. and 8 min. // Starring: Chadwick Boseman, T.R. Knight and Harrison Ford  // Directed by: Brian Helgeland // Written by: Brian Helgeland // Produced by: Warner Bros. Pictures

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Evil Dead

Mia (Jane Levy) invites two friends – Olivia (Jessica Lucas) and high school teacher Eric (Lou Taylor Pucci) – along with her big brother, David (Shiloh Fernandez), and his girlfriend Natalie (Elizabeth Blackmore) to accompany her out to her family’s cabin deep in the woods as she tries to kick a drug habit cold-turkey. There, Eric finds a mysterious flesh bound Book of the Dead filled with horrific illustrations, mysterious symbols and directions not to read aloud anything that appears in its ancient pages. Unfortunately for all parties involved, Eric discards caution by the wayside awakening a familiar demon for a new generation of young victims.

John DeFore of the Hollywood Reporter writes, “True to the essence of its predecessor, the high production values and nonstop action offered here should also please younger genre fans who’ve never bothered to rent it. Evil Dead delivers satisfyingly disgusting effects that serve an ever-accelerating action pace and exposes the demons at its core.”

HSX predicts that Evil Dead will earn around $20M in its opening weekend.

Evil Dead, Bravo Design Inc.

Rating: R // Genre: Horror // Runtime: 1 hr. 31 min. // Starring: Jane Levy, Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, Elizabeth Blackmore // Directed by: Fede Alvarez // Written by: Fede Alvarez, Rodo Sayagues // Produced by: FilmDistrict, Ghost House Pictures, TriStar Pictures // Distributed by: Sony Pictures Entertainment, TriStar Pictures