https://vimeo.com/bravodesignince

The Pirates! Band of Misfits

The Pirates! (Bravo Design, Inc.)Hugh Grant stars as the ambitious, but equally inexpert, Pirate Captain. With a rag-tag crew of amateur pirates at his side, and seemingly blind to the odds stacked against him, the Captain has one dream: to defeat his rivals, Black Bellamy (Jeremy Piven) and Cutlass Liz (Selma Hayek), and win the Pirate of the Year Award.

It’s a quest that takes its audience from far-flung tropical islands to the streets of 19th century London. Along the way, they team up with a young Charles Darwin (David Tennant), and battle the diabolical Queen Victoria (Imelda Staunton), but never lose sight of what pirates love most, adventure.

John DeFore, of The Hollywood Reporter, writes, “The Pirates Band of Misfits is a delightful romp whose varied pleasures should please kids all along the age spectrum. An easy sell at the box office.”

The Pirates! Band of Misfits will be released on April 27.

Rating: PG
Genre: Animation, Adventure, Family
Runtime: 1 hr. 28 min.
Starring: Hugh Grant, Salma Hayek and Jeremy Piven
Directed by: Peter Lord and Jeff Newitt
Written by: Gideon Defoe
Produced By: Sony Pictures Animation
Distributed By: Columbia Pictures

https://vimeo.com/bravodesignince

Brand Attraction

By and large, people buy goods and services for two reasons. One, to get rid of a problem they have and don’t want. Or two, to create a result they want but don’t have. By doing so, they believe it will improve their lives in some way, shape or form. And since any decision affecting your life is largely an emotional one, marketers, advertisers and/or sellers need to appeal to prospective customers on an emotional level.

Traditionally, the retail value equation was predicated on offering the best features at the lowest price. But because features can be, and usually are, copied shortly after introduction, cutthroat pricing dictated consumer behavior. When you take into account the evolution of the global competitive landscape and the shift in consumer priorities, you realize a new equation is mandatory. That much is evident from the rise of startups and the decline of retail giants whose business models were either unsustainable or are unable to compete in an ever-changing marketplace. The new equation should take into account quality and customer service, where expense takes a back seat to appeal, and arrives at a competitive price. It might not be the lowest price, but it needs to feel appropriate to the customer. Because in their most basic form, brands are extensions of belief systems. Their promise is a succinct expression that states what customers can come to expect when interacting with brands whether that be online or at the store. How can you ramp up your brand attraction? By dressing it up and maximizing its appeal. That doesn’t mean stop improving your product, customer service and/or the overall experience. That process is never ending. What it means is that you get to cast the light on your business in the most favorable way. Here are a few considerations to make when playing to your strengths.

Presence creates potential. How your marketing collateral and website look will determine how the public perceives you and your business and can decide how successful future marketing campaigns will do. Design is an essential part of any marketing campaign, and a necessity to compete in a media driven world, and it’s one of the easiest ways to separate your business from the competition. It’s the difference in a 40% bounce rate on your landing page and one that hovers around 10,000%. That’s actually not possible but rest assured that you are being judged at every single touch point by the very people you’re targeting.

Genuine interaction is key to building deeper relationships, but spamming out quasi-useless information won’t help you on this front. I included this in our entry on New Year Resolutions, but it’s worth repeating. More important than tweeting a frazillion times a day is having something compelling to say. One of the many upsides to social media is that it’s another platform for your prospects to touch base with you and vice versa. Thoughtful engagement will catalyze the development in a relationship that might otherwise take months or years to form.

Exude positivity in your messaging tempered with real-world insight. If your collateral contains brazen claims with little or no information, your prospects are likely to grow suspicious. Conversely, if you sound like a wet towel when it comes to your own business, those very same prospects might assume that you’re offering an inferior product. It’s a necessity that you and your brand instill confidence, all while building awareness and encouraging engagement. Being real and down-to-earth can help you build trust with your prospects who are likely to be skeptical.

Your reputation is the lifeblood of your brand so make sure your brand stays true to what you’re offering while producing great results. A group of brand champions can enhance a brand’s image in the same way a group of unhappy customers can tarnish it. If you don’t already know, you’ll soon find that brand development is an ongoing process that iterates over and over again. The goal is to eventually move past attraction and engage with fans, followers and prospects, so that they become customers. From there, you can make the shift from acquisition to retention. Knowing your consumers and what’s important to them as well as being able to align that with your advertising efforts is the key to creating value for them and for your company.

Photo credit: Melificent.com

https://vimeo.com/bravodesignince

The Lucky One and Think Like a Man

The Lucky One
When the movie starts, we find U.S. Marine Sergeant Logan Thibault (Zac Efron) pausing while on patrol in the desert to pick up a photograph of a woman he doesn’t even know lying in the rubble. Moments later, a bomb detonates on the spot where he would otherwise have been standing. Crediting the pretty blonde in the picture with saving his life, he vows to track down his guardian angel to thank her upon his return to the States.

Learning her name is Beth (Taylor Schilling) and where she lives, he shows up at her door and ends up taking a job at her family-run local kennel. Despite her initial mistrust and the complications in her life, a romance develops between them giving Logan hope that Beth could be much more than his good luck charm.

James Berardinelli of Reelz Views says, “The Lucky One delivers what’s expected from it: a heartfelt romantic melodrama with attractive actors in the lead roles; gauzy, moody photography; a saccharine score; and all the heat that a PG-13 production can muster.”

The Lucky One (Bravo Design, Inc.) Rating: PG-13
Genre: Drama
Runtime: 1 hr. 41 min.
Starring: Zac Efron, Taylor Schilling and Blythe Danner
Directed by: Scott Hicks
Written by: Will Fetters and Nicholas Sparks
Produced and Distributed By: Warner Bros. Pictures

Think Like a Man
Based on Steve Harvey’s best-selling book, Think Like a Man follows four men whose love lives are shaken up after the ladies they are pursuing buy Harvey’s book that instructs women to kick their relationships up a notch by spilling a few secrets regarding how guys really feel about stuff like intimacy and commitment.

When the band of brothers realize they have been betrayed by one of their own, they conspire using the book’s insider information to turn the tables and teach the women a lesson of their own.

Mick LaSalle of the San Francisco Chronicle says, “Director Tim Story finds a tone that supports the big laughs and the tender moments. He does his job, keeping the audience laughing – and caring – from start to finish.”

Think Like a Man (Bravo Design, Inc.) Rating: PG-13
Genre: Comedy
Runtime: 2 hr. 2 min.
Starring: Chris Brown, Gabrielle Union and Kevin Hart
Directed by: Tim Story
Written by: Steve Harvey, Keith Merryman and David A. Newman
Produced and Distributed By: Screen Gems

https://vimeo.com/bravodesignince

The Psychology of Advertising

Most of our supermarket purchases are habitual. From a consumer’s point of view, a trip to the grocery store is pretty straightforward. We don’t tend to put a lot of cognitive effort into most of our purchases, and we typically choose the same brands week after week. So to convert potential consumers, supermarkets create dissonance.

Retailers employ different varieties of stimuli (e.g., color, smells, music, etc.) to affect consumer behavior. Color has been considered to be the most salient, resonant and affective feature seen in human vision. It contributes to the appreciation of and preference for products and plays an essential communication role, improves the efficacy of messages and may increase the likelihood of a purchase. The olfactory sense, or the sense of smell, has been the subject of study in several papers published in the marketing field. In an experiment performed exposing individuals to 26 different ambient scents of varying intensity, as well as a neutral control group, subjects in the scented condition perceived that they had spent less time in the store. Those in the no scent condition perceived having spent significantly more time in the store than they actually did (Spangenberg, Crowley, and Henderson, 1996). Surprisingly, whether the scent was pleasing or not had no effect. Neither did intensity. One of the most famous research studies in marketing (Gorn, 1982) used classical conditioning and illustrated that hearing well-liked music versus disliked music, while being exposed to a product, can directly affect product preferences as measured by product choice.

Going back to the supermarket, entryway placement and layout have a significant effect on how people shop and how much they spend. Generally speaking, items with the highest profit margins are placed on shelves that are at shoppers’ eye level. Less profitable brands will be stocked at the top of a shelf or near your feet. Contrary to intuition, shoppers don’t walk up and down aisles. Research of movement patterns using GPS trackers show that people tend to travel in select aisles, using the perimeter of the shop as the main thoroughfare, and rarely in a systematic up and down pattern. People, who do venture into the center of aisles, tend to spend more time in the shop but not necessarily more money. What this means is that key products, ones with the higher profit margins, will typically be placed at the ends of aisles in end cap displays. Familiar household brands will also be placed here to serve as a psychological “welcome mat,” which results in increased traffic.

Psychology of Advertising, Bravo DesignDespite the fact that consumers generally indicate that they make rational purchasing decisions based on considerations like price, selection or convenience, subconscious forces, involving emotion and memories, are clearly also at work. Scientists used to assume that emotion and rationality were opposed to each other, but Antonio Damasio, now professor of neuroscience at the University of Southern California, has found that people who lose the ability to perceive or experience emotions as the result of a brain injury find it hard or impossible to make any decisions at all.

Perception involves the process of categorization and extends to selection and interpretation, as well as gauging risk and opportunity cost(s), to produce meaning. In the process, buyers make use of cues as they’re bombarded with stimulation at all times of the day. However, only parts are successfully transferred and categorized as information. The consumer chooses what information to factor in, as well as what to dismiss. This differentiation between stimulation and information sets a distinction between two types of cues individuals are faced with. A stimulus cue is a conspicuous stimulus somewhere in the sensory field toward which attention can be drawn or directed, whereas an information cue is a bit of information about a marketing stimulus. Not only do advertisers need to draw the attention of consumers, they need to simultaneously argue the case for their product. Between marketing, advertising and design, each discipline recognizes that a psychological component should be taken into consideration at every point of engagement. Behavioral factors are also carefully taken into account because, ultimately, an advertisement isn’t meant to just attract attention, but to actually influence consumers to buy products. Generally speaking, advertising may be one of the most carefully constructed of all human communication as it is certainly one of the most costly.

Psychology of Advertising, Bravo DesignBrand development and maintenance demands a combination of functional, operational and psychological elements to create a unique entity that has a lasting personality, which will build retail brand awareness with existing and potential customers. When a brand has a well-defined personality, consumers interact with it and develop a relationship that can influence individual attitudes and behaviors in terms of how consumers perceive and react to a brand. A successful retail brand will help to build long-term demand, add some perceived value and ultimately improve sales. Consumers will be willing to pay more for a brand if there is added actual, or perceived, value from their experience of using the product or service. Because ultimately, they’re purchasing a total experience consisting not only of the physical item but also the packaging, after sales services, promotions and image.

Advertising is a ubiquitous and powerful force that lulls consumers into buying wanted, and sometimes unwanted, products that can change lifestyles for better or worse. The impact of advertising is often subtle and implicit but, sometimes, booming and impossible to overlook. Messaging aims to convince, or pair, target audiences with solutions to problems they may, or may not, know they have which may lead to a potential purchase or impulse buy. By and large, studies show that the effectiveness of psychological application will continue to impact advertising in a huge way, both online and off, as methodology is fine-tuned and studies unearth the motivations that compel consumers to make specific purchases.

https://vimeo.com/bravodesignince

The Three Stooges

The original Stooges were a vaudeville act whose physical shtick was characterized by aggressive but finely choreographed kicks, punches, snaps and falls, and they’re back. The Stooges, Larry (Sean Hayes), Moe (Chris Diamantopoulos), and Curly (Will Sasso), abandoned at birth at a Catholic orphanage, must now save the place from being closed in an economic turndown. They need $830,000 to save the kids and the nuns. The plot gets overcomplicated when a gorgeous rich woman (Sofia Vergara), offers to pay the Stooges what they need to off her nerd husband, so she can run off with his best friend (Craig Bierko).

Jaime N. Christley, of Slant Magazine, says, “the Farrelly brothers’ direction is downright classical, with clean lines and an old-Hollywood respect for professional-grade composition and longish takes, leaving plenty of room for some well-executed routines of bloodless combat.”

The Three Stooges will be released on April 13, 2012.

Rating: PG
Genre: Comedy
Runtime: 1 hr. 32 min.
Starring: Sean Hayes, Chris Diamantopoulos and Will Sasso
Directed by: Bobby Farrelly and Peter Farrelly
Written by: Mike Cerrone, Bobby Farrelly and Peter Farrelly
Distributed By: Twentieth Century Fox Film Corporation
Produced By: Wessler Entertainment, C3 Entertainment Inc. and Conundrum Entertainment

https://vimeo.com/bravodesignince

Damsels in Distress

Knight in shining armor (Bravo Design, Inc.)Four beautiful girls set out to revolutionize the grungy, male-dominated environment of the Seven Oaks college campus, that still prevails decades after coeducation’s arrival. The group consists of Violet Wister (Greta Gerwig), the group’s dynamic cardigan-clad leader, Rose (Megalyn Echikunwoke), Heather (Carrie MacLemore) and Lily (Analeigh Tipton). Their principal mission is the Suicide Prevention Center where with coffee, doughnuts and dancing lessons, they hope to curb severe depression, bad outfits and general despair. Violet, the group’s ringleader summarizes it best when she explains to Lily, “Have you ever heard the expression, ‘Prevention is 9/10ths the cure?’ Well, in the case of suicide, it’s actually 10/10ths.” As the story progresses, the girls become romantically entangled with a series of men; including, Charlie (Adam Brody), Xavier (Hugo Becker), Frank (Ryan Metcalf) and Thor (Billy Magnussen) who threaten the girls’ friendship and sanity.

Leslie Felperin of Variety writes, “A film that raises laughs even with its end credits, Whit Stillman’s whimsical campus comedy ‘Damsels in Distress’ is an utter delight. Stillman proves he still knows how to write crackling, articulate dialogue for quirky preppie characters whom he loves laughing at as much as with.”

Damsels in Distress will be released on April 6, 2012.

Rating: PG-13
Genre: Comedy
Runtime: 1 hr. 39 min.
Starring: Greta Gerwig, Adam Brody and Analeigh Tipton
Directed and Written By: Whit Stillman
Distributed By: Sony Pictures Classics
Produced By: Westerly Films

https://vimeo.com/bravodesignince

Author Rank

The SEO community has been buzzing with speculation over Author Rank, Google’s biggest rollout since Panda that pairs authors and their content together regardless as to where the latter resides on the Web. Author Rank serves two purposes. First, it establishes the author is a real, living, breathing human being. Second, it allows Google to compile and rate the quality of content that author is providing.

Listed below is the specific language from the patent application.

Assuming that a given agent has a high reputational score, representing an established reputation for authoring valuable content, then additional content authored and signed by that agent will be promoted relative to unsigned content or content from less reputable agents in search results.

Similarly, if the signer has a large reputational score due to the agent having an established reputation for providing accurate reviews, the rank of the referenced content can be raised accordingly. Agents whose content receives consistently strong endorsements can gain reputation. In either implementation, the agent’s reputation ultimately depends on the quality of the content which they sign.

From the looks of it, Author Rank won’t replace Page Rank. The implementation of Author Rank means that the social graph, the global mapping of everybody and how they’re related, suddenly carries an additional attribute based on trust and authority. The higher the Author Rank, the better the ranking. Conceptually, this might reduce or eliminate the impact of manufactured link building efforts that manipulate ranking on Google search engine result pages (SERP).

While this may just seem like conjecture, the evidence for a big move towards social within SEO is mounting. The fact that Google+ is built around circles means “sharing the right stuff with the right people shouldn’t be a hassle. Circles make it easy to put your friends from Saturday night in one circle, your parents in another, and your boss in a circle by himself, just like real life.” One of the upsides is that even if spammers invent hordes of Google+ users, they’re useless outside of your circle. To further elaborate on that point, Google writes:

Content recommended by friends and acquaintances is often more relevant than content from strangers. For example, a movie review from an expert is useful, but a movie review from a friend who shares your tastes can be even better. Because of this, +1’s from friends and contacts can be a useful signal to Google when determining the relevance of your page to a user’s query. This is just one of many signals Google may use to determine a page’s relevance and ranking, and we’re constantly tweaking and improving our algorithm to improve overall search quality. For +1’s, as with any new ranking signal, we are starting carefully and learning how those signals affect search quality.

Therefore, as Google+ picks up momentum, we expect to see the signals it creates reflected heavily in search results. Teddie Cowell, SEO Director at Guava, says, “The value of social signals actually depends heavily on user authentication, which is a complex problem often overlooked… Fundamentally, search engines need to more reliably tell who you are, whether you are real or not, and combine that with your activity online; or else even with all the hype, without authentication mechanisms social signals actually are nothing but noise and have negligible value.”

That’s where the rel=author markup comes into play. To pair authors with blogs, articles, etc., Google checks for a connection between the aforementioned as well as a Google+ profile. Authorship markup uses the rel attribute, part of the open HTML5 standard, in links to indicate the relationship between a content page and an author page. Think of it as a digital signature. A.J. Kohn of Blind Five Year Old, an online marketing firm, has a comprehensive guide on implementing the markup onto your website which you can find here. Google’s guide is listed here.

“What does this mean to me?” you ask. It means that the growth of Google+ and use of brand pages will become increasingly important for companies wanting to cross-pollinate search and social activity. It’s difficult to say when Author Rank will be rolled out in its entirety, but there are some things you can do in the meanwhile. These tips are listed in a Bravo Design, Inc. entry on “Sustainable SEO,” but they’re worth reiterating. First, markup pages for search engines. There are two guides listed above. One is by A.J. Kohn, and the other is by Google. You can also check out Schema.org for other miscellaneous content element tags. Second, develop quality content, build links and promote. This is self-explanatory, and it never changes.

If you’re not following Bravo Design, Inc. on Google+, you should do so ASAP.